Original Music
Songs from the Heart—Written to Bless, Shared to Be Sung
This page is a corner of Brushwood Press where I share original songs—some raw, some refined, but all written out of a desire to glorify God and minister to others. These songs come from moments of wrestling, worship, and wonder. They’re offered here not because I think they’re perfect, but because I believe music has a way of reaching people where words alone sometimes can’t.
I’m releasing them as I’m able, praying they’ll be a blessing. If you find something here that stirs your heart, feel free to sing it, share it, contact me to record your own version—whatever serves the church and draws people closer to Christ. I’m a songwriter at heart, and it would be an honor to see others take these songs and make them their own.
Thanks for stopping by. May these songs point you to the One who gave them.
“You Keep Me” is a heartfelt worship song about assurance in Christ—anchored in Reformed theology, written from a place of raw honesty and hope. It’s about the God who holds us even when we don’t have the strength to hold on.
This is a song about the pursuit of grace—the kind that finds us before we know we’re lost. You Found Me First tells the story of mercy that moves first, of a Savior who doesn’t wait for our cry to come running. It’s rooted in the deep truth that God loved us before we had the capacity to love Him.
This song is for anyone who’s ever tried to love their neighbor even when it wasn’t easy. Talk’n Over Fences is a reminder that we don’t have to see eye to eye to talk heart to heart. It’s about listening more, judging less, and letting grace do the work.
This is more than just a country tune—it’s a testimony. From busted tractors to early morning rooster crows, Kentucky Sunrise celebrates the steadfast love of Jesus in the everyday moments of life. Written for small towns, broken barns, and believers who know that grace is as real as dirt under your boots.
Ain’t Loud Enough is a heart-wrenching anthem from a father's perspective, crying out for the life of his unborn child. This abolitionist song gives voice to the often-silenced grief of fathers affected by abortion. It’s not political—it’s personal. With raw emotion and haunting lyrics, the father pleads with the mother to choose life, bearing the weight of guilt, pain, and spiritual conviction. He knows this isn't a right—it’s a sin. And yet, his voice feels like it just ain’t loud enough to save the one he never got to hold.